neueste Meldung in Musicainfo.blog
Startseite
|
Suche
|
Warenkorb
|
Mein Konto
|
Mein Radio
|
Blog
|
Registrieren
|
Anmelden
English
|
Español
|
Français
|
Italiano
|
Nederlands
Datenbank
Notenblätter/Partituren
CDs/DVDs
Fachbücher
Accessoires
Unterkategorien
Komponisten/Mitwirkende
Musikverlage
Auslieferungspartner
Abkürzungen/Lexikon
Tags (Musik nach Themen)
Blog
Radio
Schnellsuche:
Infos
Wer sind wir?
Wertungsstücke (at, ch, de)
Kontakt
Folge uns auf LinkedIn!
neueste Meldung in Musicainfo.blog
Notenblätter/Partituren
klicken für größeres Bild
Titel
Crux
Artikel-Nr.
98063193
Kategorie
Orchester/Kammermusik
Unterkategorie
Kammerorchester
Besetzungsart/Infos
Vln
(Violine);
Tmp
(Pauken);
Schlgz
(Schlagzeug)
Erscheinungsland
Tschechien (cz)
Verlag
*
hier klicken
Verlags-Artikelnr.
*
hier klicken
EAN (GTIN)
*
hier klicken
ISMN
*
hier klicken
ISMN-10
*
hier klicken
Komponist
Fiser, Lubos
Zusatzinfo/Inhalt
The work by Lubos Fiser Crux was written in 1970, the same year as Double for orchestra and Lament over the Destruction of the City of Ur. In all three works Fiser still remained loyal to the techniques of New Music. Ideologically, Crux was a kind of protest against the onset of Normalisation at the beginning of the Seventies. Formally, these are variations on a theme composed of eleven notes. The variations unfold above an ostinato of the same motif in the timpani, which regularly increases in sound from pianissimo to fortissimo throughout the piece. The variation technique using the seven-note mode b flat - b - c - c sharp - f - f sharp - g, as in his other works from the 1960s and 1970s, constitutes a literal repetition or literal transposition of the original motif, with emphasis on rich, stylised variants. Fiser's inspiration for the stylisation of the violin part came from the Sonata-Ballade No. 3 by Eugene Ysaye. Like Ysaye, Fiser also uses trills, arpeggios, spread chords containing the theme, tremolos or notes lifted off at the nut of the bow. Fiser was always fascinated by numerical symbolism; thus, even here, prime numbers (7, 11) and multiples of three (9, 15) appear almost continually. And it is these multiples of three which link the number symbolism with the spiritual mysticism figuring in Fiser's work practically throughout his career. The autograph of the work was published with the kind permission of Ivan Straus who also performed its premiere in 1971, together with Petr Sprunk on percussion.
Partitur und Stimmen
Score and Parts
Im Musicainfo Radio anhören
*
hier klicken
Lieferbar
ja
in den Warenkorb
* Felder mit einem Sternchen sind nur für
Vereinsmitglieder
nach
Anmeldung
ersichtlich.
Sie sind nicht angemeldet:
registrieren
oder
einloggen
neueste Meldung in Musicainfo.blog
Unsere Werbebanner
|
Für Verlage & Händler
|
Newsletter
Datensammlung Copyright 1983-2025 Helmut Schwaiger. Datenbankdesign und Websitegestaltung Copyright 2002-19 Robbin D. Knapp.